The New Yorker1d
Renée Cox’s Visions of the Future
In a body of work that spans fine art and fashion photography, Cox has repurposed familiar imagery—the Pietà, “The Last ...
‘We can love all of the United States without lying about it,’ says Harvard professor Sarah Lewis
Her new book, "The Unseen Truth," argues that once we saw whiteness as fiction but chose to let it harden into "fact." ...
The New Yorker5d
Rosalind Fox Solomon’s Half Century of Self-Portraits
In the new book “A Woman I Once Knew,” a photographer renowned for capturing others collects pictures of herself.
‘Afterlives: Contemporary Art in the Byzantine Crypt’ Review: Modern Memento Mori
An exhibition at the Metropolitan Museum of Art looks to bridge recent works with centuries-old art to explore death and what ...
A Chronicler of the American Elite in the Spotlight, in Paris
This fall, the Jeu de Paume will showcase Tina Barney’s intimate, keenly observed images in her largest European ...
Want to Turn Your House into the Art House? Try Metrograph at Home.
The Metrograph theater in New York has expanded to include a streaming platform that spotlights foreign, art house, ...
John Perrin Flynn on leaving Rogue Machine and the challenges of small L.A. theater
After 16 seasons, Rogue Machine Theatre co-founding producing artistic director John Perrin Flynn has announced his ...